Program 3: Kobudo/Arnis
Kobudo - Art of Ancient Weaponry
The Okinawan weapons are an integral part of Okinawan martial arts. In 1477 all weapons in Okinawa were banned and confiscated. This political move directly led to the development of two different fighting systems: Te, practiced by the nobility, is a form of empty hand combat; and Kobudo, developed by farmers and fishermen, is a form of armed combat using simple farming tools and everyday implements as weapons. In both systems, training was conducted in strict secrecy. In some circles if one does not know weapons, one is not considered well rounded in martial arts.
Although there are eight different weapons in Okinawan Kobudo, the most commonly used and generally viewed as the core of the art are the bo, jo, tong fa, and the sai. Each weapon has its own set of kata and techniques of use in combat. Today's existing kata go back two or three hundred years or so; we can safely say that they were forged by masters experienced in combat.
Unfortunately the history of the fighting arts of the Orient depends more on an oral rather than a written history. Therefore, different opinions and interpretations exist among the historians as to the accuracy of the various divergent viewpoints regarding the founders and their times. We can at least go back (with some degree of accuracy) to Aburaya Yamaki and Matsu Higa as the first to establish a systematized approach to kata and techniques. We definitely know that Matsu Higa was the sensei of Takahara Peichin who taught Karate Sakugawa (1733-1815) who most historians readily agree was the fountainhead of modern Okinawan Kobudo. After the year 1609 when the Satsuma clan of Japan subjugated the Ryukyus, the Japanese with their propensity for accuracy, recorded quite a bit of the customs of the Ryukyus including the martial arts. --O'Sensei Richard Kim
Kobudo - Art of Ancient Weaponry
The Okinawan weapons are an integral part of Okinawan martial arts. In 1477 all weapons in Okinawa were banned and confiscated. This political move directly led to the development of two different fighting systems: Te, practiced by the nobility, is a form of empty hand combat; and Kobudo, developed by farmers and fishermen, is a form of armed combat using simple farming tools and everyday implements as weapons. In both systems, training was conducted in strict secrecy. In some circles if one does not know weapons, one is not considered well rounded in martial arts.
Although there are eight different weapons in Okinawan Kobudo, the most commonly used and generally viewed as the core of the art are the bo, jo, tong fa, and the sai. Each weapon has its own set of kata and techniques of use in combat. Today's existing kata go back two or three hundred years or so; we can safely say that they were forged by masters experienced in combat. Unfortunately the history of the fighting arts of the Orient depends more on an oral rather than a written history. Therefore, different opinions and interpretations exist among the historians as to the accuracy of the various divergent viewpoints regarding the founders and their times. We can at least go back (with some degree of accuracy) to Aburaya Yamaki and Matsu Higa as the first to establish a systematized approach to kata and techniques. We definitely know that Matsu Higa was the sensei of Takahara Peichin who taught Karate Sakugawa (1733-1815) who most historians readily agree was the fountainhead of modern Okinawan Kobudo. After the year 1609 when the Satsuma clan of Japan subjugated the Ryukyus, the Japanese with their propensity for accuracy, recorded quite a bit of the customs of the Ryukyus including the martial arts. --O'Sensei Richard Kim
Weapons to Empty Hand
The weapons that we teach at our school are the bo (6'staff), sai (forked prongs), jo (4'staff), tong fa (tool for grinding rice into flour), kama (sickle), eku (oar), ulesi (a Filipino weapon: 28-inch stick), knife, and the sword (bokken). The major purpose of training with weapons is to teach the difference between life and death. This comes about when a person realizes just how lethal weapons are. There is a drastic difference between fighting with an empty hand and fighting with a weapon. For example, a punch to the chest stuns, while the same technique done with a sword kills. Therefore training with weapons requires greater mental focus than empty hand training, and it helps students gain a greater appreciation for life. In kobudo the weapon is simply used as an extension of the body. Nearly all basic karate-do moves can be duplicated with a weapon in your hand, therefore, the perfection of basic moves is a necessity for weapons training. The same moves learned with weapons can be applied to a broom, walking stick, umbrella or a rolled up newspaper.
Arnis - Filipino Martial Art of Sticks and Knives
Arnis, also known as escrima (which means to skirmish), is a Filipino martial art which has been traced back to the 9th century. When the Spanish first invaded the Philippines in the 16th century, their steel swords and armour proved no match for the Filipinos' swift, elusive, and vicious sticks. The turbulent land saw many battles. The Filipinos learned new techniques from each invading force and developed a complex fighting system using empty hands, swords, sticks, clubs, staffs, lances, and knives. Eventually the Spanish managed to subdue the Filipinos by use of firearms, and thus conquered the land. In 1764, when Spanish control was complete, the practice of arnis was outlawed; however, many of its movements were preserved in folk dances.
In arnis training, practitioners first learn weapons before progressing to the weaponless techniques of hand and foot. The first weapon is usually the stick or the dagger. Systems include the sinawali sticks (drills using two sticks usually about 30 inches long), single or double dagger methods, and espada y daga, the stick and dagger method. Arnis was brought to the USA and Hawaii in the early 1900's by Filipino college students, farm workers, merchant marines, and dock workers. Jack Santos, an arnis master, formally introduced the art to the USA in 1909. He was followed by numerous arnisadores, but the art was then highly secretive. The non-Filipinos who learned the art did so through their Filipino friends. The art has been spread worldwide through the efforts of martial artists such as Dan Inosanto.
© Copyright
CMAC Mississauga
2011
CMAC Mississauga
2011
Classical Martial Arts Centre - Yume Da Po Dojo 1010 Dream Crest Road Unit 8, Mississauga ON L5V 3A4 P: 905-817-0453 | F: 905-814-5202 | E: admin@cmacdapo.com | W: cmacdapo.com
